KSP’s The Wild Oats of Han


I’m trying to read the fiction of Katharine Susannah Prichard at least roughly in order, but of course that’s never as straightforward as it sounds. The Wild Oats of Han wasn’t published until 1928, but it was actually written in 1908, meaning that perhaps I should have it read it first; I’m reading it second.

Its genre is complicated, too. It’s presented as a children’s novel, but (my 1968 edition at least) is introduced with a note from KSP saying it ‘is truly, really story’, an idiosyncratic way to say it really happened. It is perhaps a memoir of childhood written in the form of fiction. Regardless, it is beautiful.

In this book, KSP’s prose is lyrical and captures the mind of a child incredibly well. Han is a dreamy, rebellious girl, a fascinating character, a girl who ‘scarcely knew the world of the real from the world of the unreal: both were blended in the crystal of her mind.’ (16) A mentor figure, Sam the woodcutter, tells her that ‘wild oats is a crop most people sow when they live like children’. (56) (The meaning has surely narrowed over the years.) Han determinedly sows her oats, skipping school to glory in the beauty of the bush; enchanted by the circus; battling her nemesis, Miss Whittler; in love with the family and friends around her. It is episodic, each short chapter almost self-contained, with only a loose progression of the overall narrative. Things change in the last few chapters, as the circumstances of her parents (absent characters for most of the novel) impede on her idyllic life, and she must go ‘down into the great mysterious world they had talked so much of, to take her part in the joy and the labour and the sorrow of it.’ (160)

Jack Beasley comments that the novel ‘is more a story about children for adults, than for children themselves’ (A Gallop of Fire, 31), and I agree with him. Its achievement lies in its evocation of the enchanted world of a child’s mind, which is not necessarily something a child can appreciate – only adults in retrospect; it reminds me in this respect of Randolph Stow’s Merry Go Round in the Sea. Early in Wild Oats, Han comes across a cave which amazes her:

Han went to school the next day. But the smell of the hills was in her nose: it was like a taste in her mouth. Memory of the cave haunted her. She had a mind-picture of the great underground room, so vast and deep that, leaning over the edge, she could not see how far it went, only the bones glimmering on the floor in the darkness. (31)

A children’s novel would require that there really be a human skeleton to discover at the bottom of the cave, or at least that some great adventure occur there. Yet Wild Oats evokes the gap between our childhood expectations of adventure gained from stories, and the reality that adventure is more a state of mind.


About Nathan Hobby

At work on a biography of Katharine Susannah Prichard for a PhD at the University of Western Australia. Also a novelist and librarian. View all posts by Nathan Hobby

3 responses to “KSP’s The Wild Oats of Han

  • jennyrecorder

    KSP featured as a shady figure in my childhood and teenage years. Our local library was the Katharine Susannah Pritchard library in Greenmount. I have not read any of her books Nathan, but your extracts here leave me hankering for the smell of the bush on a hot day and I think she will be on my reading list shortly, thankyou for the insight 🙂


  • Nathan Hobby

    Jen, that’s fascinating – you must have grown up in her footsteps, walked the same streets as her ghost. Reading her has made me hanker for the bush too – reminds me what I’ve missed out on, becoming so urban after growing up in the bush.


  • Across the genres: a slow reader’s favourite books in 2014 | The annotations of Nathan Hobby

    […] Wild Oats of Han / Katharine Susannah Prichard – I’ve read eleven books by Prichard this year, and they fit together as a body of work. But let me pick this one out as probably her most under-rated work, a delightful evocation of childhood as free-spirited Han comes to grips with the world. It’s the most distinct of her books, and it possibly suffered from being marketed as a children’s book, when it is not really. My review. […]


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